The good part of the episode: the Mexico City chase scene.
The most recent episode of Agents of S.H.I.E.L.D., Seeds, is a mixed affair. The episode is divided into two subplots; one of which is fairly interesting and well-written. The second subplot is indicative of everything that is wrong with the show since it began airing: a dull and predictable mystery that is mired with bland characters engaging in cringe-worthy “witty banter”. Overall, this is a dull episode that is so ineptly written and directed that a plot-point that should completely change the direction of the entire series is negated to the background. Most annoyingly of all, Seeds continues in the show’s tradition of reinventing the fictional S.H.I.E.L.D. organisation (made famous by the Iron Man films and The Avengers) from a morally questionable paramilitary group into a “big happy family” free of complexity or subterfuge. Instead of taking the interesting option and creating a show featuring a small team of heroic and dedicated agents butting heads against their dubious superiors, the producers of Agents of S.H.I.E.L.D. prefer to present a Manichean, morally black-and-white television show in which the line between heroes and villains couldn’t be clearer; a monstrous missed opportunity to tell compelling procedural drama within a fantastic fictional world.
The more interesting of the two subplots concerns Agents Coulson (Clark Gregg) and May (Ming-La Wen) tracking a former S.H.I.E.L.D. operative through the streets of Mexico City. These sequences feature engaging dialogue, important personal development for the characters, a well-choreographed fight scene and even the return of “Lola”; Coulson’s flying car. The dialogue between Coulson and May is sharp and interesting as they debate recent events in the show’s history (such as Coulson’s “return from the dead”). Both actors are clearly having fun with their characters, exhibiting a level of camaraderie that is totally believable. After a short but fun chase sequence, Coulson and May discover important information relating to the childhood of Skye (Chloe Bennet). Skye’s involvement with S.H.I.E.L.D. since her first appearance has been motivated by the desire to find out about her birth parents; it has been one of the two mysteries that has driven the show since the pilot (the second being the recently resolved mystery of Coulson’s resurrection). The fact that her origins are now revealed should be a huge turning point for her character and for the show. Admittedly, the scene during which Coulson explains the truth to Skye is very well shot and edited; instead of watching Coulson retell the story of her origins, the audience is simply shown Skye’s increasingly distraught face set to music. It is an intensely powerful moment in a show that has had so few of these. It is shocking that this incredibly important revelation is predominantly overlooked in favour of the episode’s second plot-line; Fitz and Simmons going back to school.
Everything about the second subplot reeks of the ineptitude that so defines Agents of S.H.I.E.L.D.. It is poorly written, poorly acted and poorly executed in every way. Fitz (Ian De Caestecker) and Simmons (Elizabeth Henstridge) are requested to return to S.H.I.E.L.D.’s training academy in order to solve a series of bizarre attacks on students involving sudden outbreaks of ice. Soon, they become convinced that someone is attempting to kill off the academy’s students for their own sinister ends (the villain of the episode is finally revealed to be a drastically re-imagined version of a Marvel Comics character called “Blizzard”). Everything about the sequences at S.H.I.E.L.D. academy is inept. The academy is supposed to be a top secret facility that trains superhumanly intelligent adolescents; it looks like a high school or university campus. The once sinister and shadowy S.H.I.E.L.D. organisation now has its own high school, complete with a secret nightclub run by the students. There’s a “nerdy” loner student (with a secret lab in his dorm room ceiling) and a “cool” popular student who aces every test. The dissonance between S.H.I.E.L.D. as it has appeared previously (the sinister military force) and S.H.I.E.L.D. as it appears now (super-scientist Hogwarts) is staggering. Even for a spy show set in a world with superheroes, it just all feels so silly. To use 1990’s television as a comparison, it would be like the cast of The X-Files visiting the cast of Dawson’s Creek.
Perhaps it is unfair to criticise the performances of the cast, considering the material that they are working with, but many of the teenage and 20-something student characters are portrayed by terrible actors. Chloe Bennet is never very impressive as Skye, but compared to some of the student characters in this episode, she deserves an Oscar. The only positive thing that can be said of this episode is that it finds a clever way to tie its events to the recent “Polar Vortex” that has gripped North America (it is insinuated that the true cause of December 2013’s bad weather was the ice machine from this episode). After a marked improvement in the overall quality of the last few episodes, it is most disappointing to see Agents of S.H.I.E.L.D. return to its usual mediocre state. Perhaps now that the lingering plot mysteries have all been resolved (aside from the identity of the show’s villain, the Clairvoyant), things can finally progress towards a more exciting finale. Right now, however, this doesn’t seem very likely.
Image from blogs.wjs.com
© 2014, City Connect News. Copyright Notice & Disclaimer are below.