The show’s villains: Ward and Deathlok.
Nothing Personal should be the episode of Agents of S.H.I.E.L.D. in which the pace and tension is fired up; preparing the audience and the characters for the season finale. After several strong, suspense-filled episodes, Nothing Personal should be the episode in which everything is brought to crisis. Instead, it manages to be one of the blandest and least relevant episodes of the series so far. There has been a bizarre pattern emerging from the most recent episodes of the show. The excellent Turn, Turn, Turn, had the distinct characteristics of a season finale: massive revelations, the emergence of the showâ€™s shadowy villain and a cliff-hanger ending that changed the whole dynamic of Agent Coulsonâ€™s (Clark Gregg) S.H.I.E.L.D. team. As a result, the following episodes have had the quality of an extended epilogue. This is certainly true of Nothing Personal, which adds almost nothing significant to the progression of the series until the very last scene.
Following on from the events of the previous episode, Coulson, Fitz (Iain De Caestecker) and Simmons (Elizabeth Henstridge) return to their hidden base with Agent Triplett (B.J. Britt). Upon discovering that their plane is missing and Agent Ward (Brett Dalton) has absconded with Skye (Chloe Bennett), the truth slowly dawns upon them; Ward is a double agent for the sinister HYDRA terrorist organisation. Before they can plan Skyeâ€™s rescue, their base is invaded by US Military personnel, led by the obnoxious Colonel Talbot (Adrian Pasdar). S.H.I.E.L.D. top brass Agent Maria Hill (Cobie Smulders) also arrives on the scene in an attempt to convince Coulson to stand down and adhere to the militaryâ€™s demands, or so it seems. The secondary plot of this episode concerns Skyeâ€™s attempts to misdirect Ward and prevent him from obtaining useful S.H.I.E.L.D. information. At first, she plays along with his insistence that he can be trusted. However, when Skyeâ€™s attempted police rescue backfires, Ward discovers that Skye is perfectly aware of his HYDRA loyalty. Soon Skye is caught between the machinations of the deceitful Ward and the dangerously violent Deathlok (J. August Richards), the tragic cyborg villain that Skye and the other agents failed to save.
This episode could have been used to examine Agent Ward and his relationship to his former teammates. Upon discovering that Ward is traitorous, Fitzâ€™s responds with an infantile tantrum and a refusal to believe that his â€œfriendâ€ would betray them. This moment falls utterly flat, due both to De Caesteckerâ€™s lacklustre acting, and the fact that never in the series does Ward act like a â€œfriendâ€ to Fitz. Right from the first episode, the agents have been written as a dysfunctional family (a staple of Joss Whedon-produced television). This dynamic has never really materialised because it was never given the opportunity to evolve. The characters were a family from episode 01, end of story. At no point did the audience see them transform from a â€œunitâ€ into something more meaningful. Wardâ€™s betrayal hurts Fitz, but it really has no reason to. Even when the two characters were paired up as a duo in previous episodes, no sense of camaraderie was indicated.
Similarly uneventful are the scenes in which Ward tries to justify his actions to Skye. What should be a punch-in-the-gut evisceration of the Skye/Ward romance that has been indicated since the pilot feels more like another example of â€œcontinuity housekeepingâ€. Rather than focussing on the emotional trauma that Skye should be experiencing upon discovering Wardâ€™s betrayal, the writers choose to focus on explaining Wardâ€™s actions and his relationship to HYDRA. For example, in 2011â€™s Captain America: The First Avenger (which takes place in the same fictional universe as Agents of S.H.I.E.L.D.), HYDRA is an organisation formed by the Nazis during World War Two. One question that has yet to be answered until this episode is whether or not the modern HYDRA retains the national socialist ethos of its founders (Ward confirms that it does not; modern HYDRA agents are not neo-Nazis). Whilst this is a question that continuity-savvy viewers may have wanted answered, it feels like unnecessary exposition that consumes time that could have been better utilised exploring the character of Ward.
By the end of the episode, every character has returned to the same place (emotionally if not geographically) that they were at the end of the previous instalment. Never has there been an episode of this show in which so very little is accomplished. There are few positive aspects of note: the special effects are very strong (Deathlokâ€™s superhuman strength is used well), Brett Dalton delivers one of his more competent performances as the now-treacherous Ward, and the cliff-hanger in the last scene is very intriguing (as well as being quite funny thanks to Clark Greggâ€™s comedic timing). However, other than these occasional good points, Nothing Personal is one of the weakest and most unnecessary Agents of S.H.I.E.L.D. episodes thus far.
Image from comicbook.com