Happy Birthday Peter O’Toole

On 02 August City Connect celebrates the birthday of Peter O’Toole, the famous Irish actor who shot to stardom after his 1962 portrayal of T. E. Lawrence in the classic film Lawrence of Arabia.

Biography

Peter Seamus Lorcan O’Toole (born 2 August 1932) is a highly-honoured film and stage actor, now retired. He has been nominated for eight Academy Awards, and holds the record for most competitive Academy Award acting nominations without a win. He has won four Golden Globes, a BAFTA, and an Emmy, and was the recipient of an Honorary Academy Award in 2003 for his body of work.

After starting out in British theatre, O’Toole’s major break came when he was chosen to play T. E. Lawrence in David Lean’s Lawrence of Arabia (1962), after Marlon Brando proved unavailable and Albert Finney turned down the role. His performance was ranked number one in Premiere magazine’s list of the 100 Greatest Performances of All Time. The role introduced him to American audiences and earned him the first of his eight nominations for the Academy Award for Best Actor – he is the most-nominated actor never to win the award.

Peter O’Toole has starred in countless films and was most recently seen in the 2004 blockbuster Troy where he played King Priam and the 2006 film Venus where he portrayed Maurice. O’Toole’s latest appearance on the small screen was in the second season of Showtime’s hit drama series The Tudors, portraying Pope Paul III, who excommunicates King Henry VIII from the Catholic church. O’Toole has narrated the forthcoming horror comedy film Eldorado, which was directed by Richard Driscoll.

In an interview with National Public Radio in December 2006, Peter O’Toole revealed that he knows all 154 of Shakespeare’s sonnets. A self-described romantic, O’Toole regards the sonnets as among the finest collection of English poems, reading them daily. In the movie Venus, he recites Sonnet 18, “Shall I Compare Thee To A Summer’s Day.”

Peter O’Toole has written two memoirs. Loitering With Intent: The Child chronicles his childhood in the years leading up to World War II and was a New York Times Notable Book of the Year in 1992. His second, Loitering With Intent: The Apprentice, is about his years spent training with a cadre of friends at the Royal Academy of Dramatic Art. The books have been praised by critics such as Charles Champlin of the Los Angeles Times, who wrote: “A cascade of language, a rumbling tumbling riot of words, a pub soliloquy to an invisible but imaginable audience, and the more captivating for it. O’Toole as raconteur is grand company.”

Peter O’Toole has said that the actor he most enjoyed working with was Katharine Hepburn, his close friend, with whom he played Henry II to her Eleanor of Aquitaine in The Lion in Winter.

On 10 July 2012, O’Toole released a statement that he was retiring from acting.

Images and biography text reproduced from Wikipedia under the Creative Commons Attribution-ShareAlike License

Happy Birthday George Bernard Shaw

On 26 July, City Connect celebrates the anniversary of the birth of George Bernard Shaw. He is well known for his play “Pygmalion” which was made into the popular Hollywood musical “My Fair Lady” starring Audrey Hepburn and Rex Harrison. However there is a lot more to Shaw than meets the eye. Read more about this fascinating playwright below.

Biography

George Bernard Shaw (26 July 1856 – 2 November 1950) was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy which makes their stark themes more palatable. Shaw examined education, marriage, religion, government, health care, and class privilege.

He was most angered by what he perceived as the exploitation of the working class. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council.

In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St. Lawrence in a house now called Shaw’s Corner. Shaw died there, aged 94, from chronic problems exacerbated by injuries he incurred by falling.

He is the only person to have been awarded both a Nobel Prize for Literature (1925) and an Oscar (1938), for his contributions to literature and for his work on the film Pygmalion (adaptation of his play of the same name), respectively. Shaw wanted to refuse his Nobel Prize outright because he had no desire for public honours, but accepted it at his wife’s behest: she considered it a tribute to Ireland. He did reject the monetary award, requesting it be used to finance translation of Swedish books to English.

Pygmalion: A Romance in Five Acts (1912) is probably Shaw’s most famous play. It is about a professor of phonetics called Henry Higgins who makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador’s garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a comment on women’s independence, packaged as a romantic comedy.

In ancient Greek mythology, Pygmalion was the creator of a sculpture which came to life and was a popular subject for Victorian era English playwrights, including one of Shaw’s influences, W. S. Gilbert, who wrote a successful play based on the story in 1871, called Pygmalion and Galatea.

Pygmalion was the most broadly appealing of all Shaw’s plays. But popular audiences, looking for pleasant entertainment with big stars in a West End venue, wanted a “happy ending” for the characters they liked so well, as did some critics. During the 1914 run, to Shaw’s exasperation but not to his surprise, Tree sought to sweeten Shaw’s ending to please himself and his record houses. Shaw returned for the 100th performance and watched Higgins, standing at the window, toss a bouquet down to Eliza. “My ending makes money, you ought to be grateful,” protested Tree. “Your ending is damnable; you ought to be shot.” Shaw remained sufficiently irritated to add a postscript essay, “‘What Happened Afterwards,” to the 1916 print edition for inclusion with subsequent editions, in which he explained precisely why it was impossible for the story to end with Higgins and Eliza getting married.

He continued to protect the play’s and Eliza’s integrity by protecting the last scene. For at least some performances during the 1920 revival, Shaw adjusted the ending in a way that underscored the Shavian message. In an undated note to Mrs. Campbell he wrote,

“When Eliza emancipates herself — when Galatea comes to life — she must not relapse. She must retain her pride and triumph to the end. When Higgins takes your arm on ‘consort battleship’ you must instantly throw him off with implacable pride; and this is the note until the final ‘Buy them yourself.’ He will go out on the balcony to watch your departure; come back triumphantly into the room; exclaim ‘Galatea!’ (meaning that the statue has come to life at last); and — curtain. Thus he gets the last word; and you get it too.” (This ending is not included in any print version of the play.)

Shaw fought uphill against such a reversal of fortune for Eliza all the way to 1938. He sent the film’s harried producer, Gabriel Pascal, a concluding sequence which he felt offered a fair compromise: a romantically-set farewell scene between Higgins and Eliza, then Freddy and Eliza happy in their greengrocery/flower shop. Only at the sneak preview did he learn that Pascal had shot the “I washed my face and hands” conclusion, to reassure audiences that Shaw’s Galatea wouldn’t really come to life, after all.

Images and biography text reproduced from Wikipedia under the Creative Commons Attribution-ShareAlike License

Review: The Six Nations 2012

With The Olympics and the UEFA European Championships just around the corner, there is a lot to be said for 2012’s sporting calendar. However, whilst the anticipation of the summer’s events rises, the first sporting major event of the year came to an end this weekend – the thirteenth year of rugby’s Six Nations.  Pulling in an average of 4.6 million viewers, the showcasing of talent was an event that enthralled and excited, aggravated and frustrated several different players, fans and nations alike, as, once again, for the eighth time in thirteen years since its amalgamation, it was a British team that took the spoils.

But, whilst Warren Gatland’s Wales reigned supreme, taking third Grand Slam victory in eight years, there were a lot of positives for every country to take from the seven-week event, producing players that lit-up the tournament, whenever they had a chance.

Scotland

As the firm underdogs of the tournament up until Italy’s inclusion in 2000, the Scottish team were unlucky not to win a game this year. Albeit their play is usually quite stinted, with short passes never equating to much ground made, they are always a team that will scrap their way to victory. Something they proved this year after narrow defeats to France and England – two games where the result could have gone either way.

With the British Lions on tour next year it is the Scottish fullback Stuart Hogg that would be most disappointed if he were to miss out on a call-up. Adding an amount of flair and panache that usually lacks in the Scottish team, Hogg’s formidable gift for running rugby is one that should, soon enough, end Scotland’s long-running losing-streak.

Stuart Hogg slices through the defence

Italy

Italy have developed in leaps and bounds over the past thirteen years. Most notably seen by their unfortunate defeat at the hands of England, after they went in at half time leading by twelve points to six, it seems that inexperience is not longer a problem.  Finishing off the tournament with a (scrappy) win over Scotland, it seems only a matter of time before they start scratching more W’s on to their results board.

If it weren’t for the replacement of ever-reliable kicker Kristopher Burton, the Italians would have embarrassed England in the opening weeks of the tournament, as his absence between the posts lost them the game. A face, and foot, to look out for in the future, as Italy continue look to stamp their dominance on the game.

Kristopher Burton keeps it cool

France

As always, the French produced some beautiful rugby. Fine lines of running, well placed kicks and monstrous tackling were all on the menu whenever Les Bleus took to the field. However, after a crippling draw with the Irish, the French team began to act accordingly, losing their tempers and, subsequently, the following two matches.

Once again the French showed that they do running-rugby better than most, most poignantly proved by their new centre, Wesley Fofana. Finishing the tournament with five caps and four tries, Fofana is definitely a name that will be revered in the future, as experience will only add to his plethora of skills and talents.

Wesley Fofana makes it four from four against England

Ireland

Ending as the tournaments top try scorers, Ireland were, once again, unfortunate not to finish higher up the table. Their dominance in the pack, despite a hiccup against England, was a constant threat, with their backs constantly tearing up opposition defences at breakneck speeds. Yes, their heyday of talent may be coming to an end, with many of the Grand Slam victors of 2009 nearing retirement, but the new wave of talent is developing in abundance, promising to be a danger to any team that comes up against them.

This year, Ireland’s lucky star was shining in Tommy Bowe. Despite a questionable decision taking away a tournament-record for the winger, denying him his sixth of the year, he was always a constant threat for the opposition. With blistering pace, a fantastic chip-and-chase and marvellous covering tackles, Bowe has several years left in him to reach that try-scoring goal.

Tommy Bowe bags another

England

Coming off the back of a disgraceful World Cup, England saw a complete turnaround in personnel. Several uncapped players graced the field in the opening game against Scotland, as England produced one of their more questionable victories. However, the weeks went by, and the nation’s wariness of the team seemed to disperse. England’s new blood fought hard against the French and the Irish, securing victories that would dismiss any uncertainty that lay there before the tournament.

Yes, new boy Owen Farrell was a great asset to the team, scoring an impressive 63 points in 5 games, however it was Stuart Lancaster’s inclusion to the squad that made all of the difference. The question of who should be next England manager has surely been answered after three away wins in the tournament – a record held by no other man to take the reigns of England’s team.

Stuart Lancaster has the players' support

Wales

Another scintillating tournament from the Welsh side saw the team take their Grand Slam, after a final victory in Paris. Perhaps a bit of poetic justice following on from their dismissal at the hands of Les Bleus from the World Cup last year, however a marvellous all-round performance nonetheless. Several players have marked their desire to feature in the Lions’ tour next summer and, with Welsh coach Warren Gatland set to take the helm there, too, it would be astonishing if a lot of the Welsh players did not feature.

With a powerful line-up, their backs averaging an astonishing weight of 1.92m and weighing in at 112.9kg, it was one of the smaller Welsh players that packed the most punch. 5ft 10 fullback Leigh Halfpenny is a force to be reckoned with when it comes to running, tackling and, as he proved in the dying minutes against France, kicking. Pegged as a new JPR Williams, Halfpenny was definitely one of the best things to emerge from this tournament, with his astounding talents helping the Welsh to victory in almost every aspect of their game.

Leigh Halfpenny puts the boot in to France

The tournament itself may have had some negative points; games were not as enthralling as they have been in the past, scores were not as high. But what is certain is that the progression of talent and skill is clear from all nations, proving that the annual event should not be frowned upon, but welcomed by every team looking to develop their reputation in the rugby world.

Images reproduced from belfasttelegraph.co.uk, connector.tv, smh.com, universityobserver.ie, telegraph.co.uk and rbs6nations.com

Chameleon – Dublin’s Intimate Indonesian

Chameleon is an intimate and cosy Indonesian restaurant serving contemporary cuisine in the Temple Bar district of Dublin. Opened in 1994, Chameleon has been very successful and has won many prestigious restaurant awards and has been included in “100 best in Dublin 2009”. This speciality restaurant has also been featured in the Bridgestone Guide’s “Best Restaurants in Ireland” every year since opening – which is something rather special for restaurant in what tends to be the very touristy Temple Bar area. Chameleon’s food and unique atmosphere have gained a well-deserved reputation and it is not unusual to see familiar faces returning each week or month to sample the authentic Indonesian cuisine on offer.

Chameleon specialises in Rijst-tafel (which literally means rice table). It is a way of serving Indonesian food that was devised by the Dutch, who first colonised these Spice Islands back in the early 19th century. Rather than eating just one main dish, each diner is served small quantities of several different dishes all at once. This is similar to the Greek meze or Chinese Dim Sum style of eating. The Rijst-tafel is comprised of appetizers, curries, vegetables, noodles and rice dishes. A selection of sambals (spicy chutneys) and pickles are also served as condiments to eat with the meal. At Chameleon, your dinner plate arrives empty, a hot plate is lit to keep the dishes warm and all the food arrives to the table at the same time.

I ordered the “Rijst-tafel Bali” which was quite filling even though it was advertisied for just one person. I was served the following 6 dishes served with steamed jasmine rice and condiments:

SATE AYAM
Free range chicken satay served with our peanut sauce

KARI JAVA
Seasoned balls of Irish lamb in a rich, spicy, Javanese curry sauce

BEEF RENDANG
Irish beef cooked slowly in a spicy coconut milk sauce with cinnamon, tamarind and red chillies

SESAME FRIED VEGETABLES
Seasonal greens wok fried with sautéed onions and toasted sesame seeds

ASINAN
Salad with cucumber, mango chinese leaves with a peanut and black sesame dressing

BAMI GORENG
Wok fried noodles with beansprouts, ginger, garlic & soy sauce

I have travelled to Indonesia many times in the past and have spent much of my time in Bali. Compared to the authentic food I tasted on my travels, I would have to say that Chameleon serves probably the best rijst-tafel I have ever tasted outside of Indonesia. The raised sitting area upstairs is a traditional yet stylish touch and allows diners to experience a sense of culture reminiscent of the Spice Islands of Indonesia. I would highly recommend this restaurant to anyone who is travelling to Dublin and wants to try a restaurant that stands out from the crowd.

Chameleon Restaurant
1 Lower Fownes Street, Temple Bar, Dublin 2, Ireland
T: +353 1 671 0362
E: book@chameleonrestaurant.com

Images courtesy of the author

Dublin – More Than Just Guinness

Mention Ireland to someone and one of the first things they’ll say is probably Guinness. Ireland is famous for the land which created “the Black Stuff” and Dublin was were it all started. The original brewery near the centre of the city is now a museum – called the Guinness Storehouse – where you can learn more about the history of this great drink and even sample a pint in their rooftop bar which has stunning views across Dublin. The Guinness Storehouse is without a doubt Ireland’s and Dublin’s number one tourist attraction – and quite rightly so. But there is more to Dublin than just being the home of Guinness.

The best place to start planning your trip to Dublin is to check out the website for Dublin Tourism Board which gives full listings and guides to the city. When it comes to getting there, book a flight with British Midland International (BMI). BMI fly from London Heathrow to Dublin every day and although they might not be the cheapest, they are neither the most expensive and offer the best value for money. BMI are a member airline of the Star Alliance which is a network of respected airlines such as Singapore Airlines and Luftansa.

There has been a resurgence in the city centre thanks to the increasing amount of tourists from Europe and America who are now travelling in every increasing numbers to Ireland’s capital. The city is full of culture and you are never too far away from a quality restaurant or bar to sample the best Ireland has to offer in good food and drink. See our reviews of Pichet and Chameleon for just two examples of some of the wonderful dining experiences awaiting you. Dublin Castle is definitely worth a visit, if only to marvel at it’s technicolour walls which are unlike any other historic building you’ll be used to. The grounds outside the castle was the original home of the Dubh Linn (meaning Black Pool) where Dublin gets it’s name.

No visitor to Dublin can miss seeing the amazing Spire Of Dublin rising up to the heavens on O’Connell Street. It is also known by it’s official name of the Monument of Light. At night it looks spectacular when the top 12 metres of the monument is illuminated forming a beacon across the night sky. The monument itself is 120 metres high and is the world’s tallest sculpture.

The River Liffey runs through the heart of the city and splits the city up with the historic Georgian Dublin and main tourist attractions in the south and and the less touristy areas of the city in the north. The Temple Bar area just south of the Ha’penny Bridge is the main tourist area of Dublin and is filled with lots of pubs, bars and restaurants. The Ha’penny bridge is probably the best known bridge in Dublin and is famous for being the first iron bridge in Ireland. A good central hotel to stay at is the reasonably priced Eliza Lodge which is only a stone’s throw away from lively Temple Bar but manages to maintain a sense of tranquility by overlooking the River Liffey.

Famous Dubliners include the influential writer James Joyce, the witty Oscar Wilde (whose leering statue lies foppishly on a stone crag in Merrion Square) and of course the infamous Molly Marlone from the popular song which has become the unofficial anthem of Dublin. A buxom statue of Molly Malone is located at the bottom of Grafton Street and is fondly referred to as “The Tart With The Cart” by locals!

Discover Dublin on your next city break – it is so much more than just the home of Guinness!

Images courtesy of Alan Philippe

Pichet – French Cuisine with Irish Charm

Pichet is a friendly French bistro restaurant based on Dublin’s busy Trinity Street in the heart of the city. Pichet opened in 2009 and is owned by Nick Munier and Stephen Gibson. The atmosphere is relaxed and informal with stylish blue leather chairs and dark wood tables. Pichet has a colourful and interesting menu with wonderful presentation and exceptional taste and quality. The wine list is very reasonably priced and is concise but includes something for everyone’s taste. Although there is lots of choice on the A La Carte menu, if you’re going there for lunch, why not try the special Fixed Price Lunch menu which is only €25 for three courses between 12pm and 3pm. Here’s a sample of what’s on offer:

Starter – Salmon Fishcake with Pickled Cucumber, Watercress and Tartare Sauce
The fishcake was plump and succulent with a decent amount of fish compared to potato. There is nothing worse than a fishcake that’s all cake and no fish so Pichet got top marks for their tasty version of an old classic. The addition of the pickled cucumber was a nice modern twist but it was reassuring to have that familiar favourite, tartare sauce, served on the side. The size of this starter is slightly larger than you would expect which was great for me as my heart tends to sink when I’m served tiny portions!

Main – Daube of Beef with Sauerkraut and Colcannon Mash
The meat was meltingly tender and full of flavour. The sauerkraut balanced the richness of the daube nicely with its tangy aftertaste. No prizes for guessing that the mash would be colcannon – we are in Ireland after all! Again this was a nice mansized portion which was true to the nature of this relaxed yet stylish bistro. I recommended trying the New Zealand 2007 Pinot Noir from the Lake Chalice Estate which is a perfect complement to this dish.

Dessert – Rhubarb Cheesecake with Tangerine Jelly
An interesting take on the classic cheesecake. The dessert is served in a glass instead of on a plate with the different elements of the cheesecake piled on on top of another and topped off with a crisp tuile biscuit. The tangerine jelly was interspersed through the fruity creaminess like hidden gems of orange wobbly. A perfectly pleasant end to a perfectly pleasant meal.

The staff at Pichet are charming and friendly but the attentiveness can sometimes falter when the restaurant is really busy. However it is never too difficult to catch the eye of one of the waiting staff. Getting a table for lunch tends not to be a problem but reservations are certainly recommended for dinner. The next time you find yourself in Dublin don’t forget to visit Pichet and try their delicious French cuisine served with plenty of Irish charm.

Pichet Restaurant Café and Bar
14/15 Trinity Street
Dublin 2
Ireland
T: +353 1 677 1060
E: info@pichetrestaurant.com

Images courtesy of the author

Magic of the Dance in Cambridge

Magic of the Dance are finally coming to Cambridge!

The spectacular Irish dance show is coming to the city on May 2 and will perform in the Corn Exchange. This is bound to be a highlight and a spectacle not to be missed. Magic of the Dance use a mixture of tap dance and modern dance that creates a unique entertainment experience.

The show is a mixture of a great light spectacle and highly energetic tap dances on the floor, tables and chairs. This is a show for every age and the viewer will be mesmerised by the sheer amount of skill and precision the dancers show. The group have given over 2000 shows and millions of people world-wide have been enchanted by their spectacular performances. Tickets are still available and are selling fast! This is certainly an event not to be missed this spring. Tickets are available at the Corn Exchange Box office or online.