One hundred and twelve minutes. That’s how long it takes for To The Wonder to pass before your eyes. That’s how long it takes to watch Olga Kurylenko prance around [...]
Thirteen centuries ago, the ancient kingdom of Pagan was the first to unify what we now know as Burma/Myanmar. At the kingdom’s height, the capital of Pagan was prosperous, deeply religious and a nexus of trade and learning. From 1044-1287, the wealthy citizens and their rulers built over 10,000 religious monuments in an area of only 104 square kilometers. The capital’s reputation for piety was matched only by its reputation for education. Monks and students came from across the Pagan kingdom, India, Ceylon and modern-day Cambodia to study everything: grammar, gods, alchemy and law. The influx of religions and cultures made Pagan a rich and bountiful city. It brought about a uniquely unorthodox and tolerant melting pot of religion.
While various and diverse Buddhist sects represented the majority, Hindu sects and native animist (nat) traditions flourished. Temples featured Hindi gods besides Buddha, nat deities appearing in unexpected places. Rather than divide, Pagan welcomed and grew from its cultural diversity. By the beginning of the 14th century however, repeat invasions from the Mongol empire had weakened the city beyond repair. The mighty kingdom of Pagan, its religious monuments and sites of learning soon fell into disrepair in harsh Bagan plains.
Today, 2200 of the original 10,000 remain in various states of authenticity and disrepair. Even staying a whole week in Bagan or its neighbouring villages will leave you plenty to explore on your next trip. Nyaung Oo offers the most reasonably priced accommodation as well as some beautiful temples of its own. It’s also the local hub for boats down the river, has an excellent market and a variety of cheap eats. The hotels within Old Bagan’s walls are ostentatiously luxurious built into fancy forts and replica temples with world-class restaurants and golf courses. As everywhere else in Myanmar, there are no ATMs. Bring pristine dollar bills and know that the exchange rate will be significantly worse than in the major cities. If you can, change to kip before coming the Bagan.
With so many temples to explore, hiring bicycles or a horse drawn cart is the favored mode of transportation. Most horse-drawn carriage drivers have their preferred circuit hitting most of the larger temples. If you are heading out by bicycle, buy a map, plenty of water and sunscreen. Along the roadside are clay pots of sterilized water that are a lifesaver in the heat. If you prefer bottled water, bring a day’s worth, as shops are scare. Take a head-torch if you plan to see sunrise or sunset over the temples… or if you decide to go on a highly recommended evening search or the locally brewed palm toddy!
The larger temples have been a pilgrimage, and now tourist, destination for years. Market stalls surround them and, while impressive, are anything but peaceful. Over-eager venders stalk the tourists with remarkable determination that gets increasing maddening as the day heats up. While it’s certainly worth seeing one or two of the larger temples, the smaller temples are altogether a much nicer and more memorable experience. With so many temples, it’s possible to travel for kilometers without seeing another tourist, to contemplate quietly in total solitude, and wonder at the ancient architecture undisturbed. Often, the temple guardians mysteriously appear to guide you for a small donation unlocking doors to reveal immaculately preserved frescos or cool inner sanctuaries. Most of the smaller temples are unlit and it’s worth having a flashlight to see the frescos in detail. The peace that surrounds these ancient monuments is unmistakable and welcome. Exploring a deserted, crumbling temple is thrilling. If there are stairs or a lookout, climb up to a high vantage point to marvel at the plains, which are literally scattered with temples as far as the eye can see. It’s breathtaking.
Any historian or architect will enjoy seeing the change in architectural styles. With cultural influence as far afield as Kerala, India, many of the temples are unique displays of piety. As time progressed, the architectural style became more defined, resulting in the stupa and temple structure we commonly see today. At the larger temples, book sellers will happily sell you a variety of books on the subject, making for some fascinating, if often comically pompous, reading. Myanmar’s government is well aware of Bagan’s tourist draw and applied for a UNESCO World Heritage Site in the 1990’s. Since the 1700’s, however, the government and local citizens had been carrying out hasty and inaccurate restoration jobs. In an area prone to earthquakes, damaged buildings were retrofitted with concrete, smeared over white wash, and restored with historically inaccurate architectural designs. For the board of UNESCO World Heritage, these restorations detracted so severely from the area, that they rejected Myanmar’s bid.
The poor restorations and denial of UNESCO World Heritage status aren’t the only problems to plague Bagan. For hundreds of years, villages had sprung up in the shadow of the temples. Some made their living caring for the temples, artists drew inspiration from the frescos and stories and children grew up scrambling amongst the ruins. The villages’ interaction with the temples was also detrimental as some pillaged the temples for building materials or items to sell to tourists. In the 90’s, the government forcefully evicted the inhabitants of ‘Old’ Bagan. Some say that the villagers had been given ample notice, but remained in their homes until the final hour in hope of a reprieve. Others say the villagers were given less than 24 hours notice to leave their homes and livelihoods. Whichever the case, the Myanmar army lived up to its notoriety, and the eviction was swift and brutal. The villagers were forcibly resettled a few miles up the road in New Bagan, a soulless town with two roads and little or no employment possibilities. The government brought in tourist infrastructure, and a hefty $10 entrance fee to Old Bagan. Again, it’s impossible to get a straight answer about where the money goes. Does it go to restoration of the temples? Does it provide assistance for the re-settled families? Or does it go straight into the pockets of a government infamous for human rights abuses?
It is up to you- the visitor- to make an important ethical choice. Admittedly, the temples within Old Bagan’s ancient walls are among the most impressive. You’ve come all this way; why not see the best Bagan has to offer? But visiting Old Bagan and paying the entrance fees condones the government and its actions. Sure, your new facebook profile picture will draw Indiana Jones comparisons from your envious friends. But at what hidden cost? With an army and government condemned for using rape, mock executions and torture as a means of controlling its citizens, that picture may have come at the cost of someone’s life, or at the very least, their ability to support their family. There are literally hundreds of temples outside of Old Bagan, many in their original condition. My question to you is, “Why risk supporting torture? Human rights activist Ginetta Sagan once said, “Silence in the face of injustice is complicity with the oppressor.” So speak with your feet, don’t pay the fee, and find a private temple where you can respect Bagan as a place of acceptance, tolerance and peace, not oppression and torture.
And while we are on the topic of ethical decisions, remember that Bagan is still an incredibly important religious site for many. Modest dress is de rigueur in Myanmar where both men and women still wear the traditional variations on a sarong. For locals and foreigners alike, it is particularly important to cover up while in the temples so definitely no bare shoulders, stomachs or legs. If cycling in 40°C heat in a long skirt sounds like a nightmare, bring along a shawl or sarong so you can cover up in the temples and villages. Respect local culture by not climbing over the monuments, taking offensive or comic pictures of deities, or eating/drinking inside the temples. While it is against local custom to criticize, be aware that failing to be respectful will cause offense and resentment.
If you’ve had your fill of ancient temples or fancy a seriously bizarre daytrip, take a bus or taxi to Mt. Popa. Journey times vary with the mode of transportation but plan on an early rise regardless. Built on what appears to be a precariously balanced boulder on a mountain, Mt. Popa is a colourful pilgrimage site. Enjoy a fresh sugar cane juice or a hearty meal in the town below in preparation for the climb to the temple. Climbing up the hundreds of steps, you’ll pass shops filled with religious artifacts, bananas and children’s toys, crowds of devout pilgrims and deities with their hands stuffed with prayerful kip. The view is superb; the monkeys are everywhere, and the tottering old grannies making their slow way to the top rather admirable. Once atop the temple, join the crowds having a picnic in the temple grounds or simply enjoy the view.
Whether you come to pray, to indulge in a love of ancient history, to marvel at the ingenuity of our ancestors, or to play explorer, Bagan is quite simply amazing. Enjoy the solitude, peace, adventure, history and beauty that pervade the place. Take hundreds of pictures, smother on the sunscreen, and be astounded. Bagan is an amazing place, almost beyond words. Its 2200 remaining temples are powerful monuments to an ancient civilization that flourished into a nest of learning and tolerance sadly missing in present day.
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About the Author: Verity Danbold has written extensively for stage and page. After completing her BA Honours (English and Drama) and MA (Theatre and Development) at the University of East Anglia, Verity went on to write for a number of international NGOs, including the UN Maternal Health Project in Cambodia, dance4life Vietnam and Empowerment International in Nicaragua. Her creative writing credits include Scenes from an Everyday Affair and Soliloquies for My Lost Sisters, nominated for Best Emerging Writer and Green Room Awards in the 2011 Melbourne Fringe Festival. She is currently working on the film of Soliloquies and two new works.