This beautiful poster was created to promote the episode. A bizarre amount of effort for such a trivial instalment.
After the fairly impressive episode Turn, Turn, Turn, Providence, the most recent episode of Agents of S.H.I.E.L.D., feels somewhat empty. So many Earth-shaking revelations, intriguing plot-twists and complex character developments were packed into the last episode that the show now feels like it is spinning its wheels; waiting patiently for the season finale. Instead of building on the pace and tension expertly established in the previous episode, Providence spends the majority of its runtime bogged down by exposition and foreshadowing. After the attempted HYDRA takeover of S.H.I.E.L.D. (taking place in both the previous episode and the recent film Captain America: The Winter Soldier), Agent Coulson (Clark Gregg) and his team are left to pick up the pieces of their devastated organisation. When the US Military announce their intent to take the remaining S.H.I.E.L.D. agents into custody, Coulson and the others flee and go “off the grid” with the help of Skye (Chloe Bennett). Unbeknownst to the S.H.I.E.L.D. team is the fact that one of their own, Agent Ward (Brett Dalton) is a HYDRA operative working for the villainous John Garrett (Bill Paxton). Whilst Coulson’s team journey to a secret S.H.I.E.L.D. outpost, Ward and Garrett rescue Raina (Ruth Negga), the mysterious “Girl in the Flower Dress” from several previous episodes. As Raina is informed of the true nature of her until-now shadowy employer, Coulson and the others arrive at the S.H.I.E.L.D. outpost… finding nothing but snowy wilderness.
One of the good aspects of Agents of S.H.I.E.L.D. is how each episode has, until now, felt like its own entity. Every episode is certainly connected to the last by plotline, but each instalment has been written and presented as an independent adventure. A viewer could begin watching the show at any point and not feel too confused or lost by continuity. This approach has positive and negative attributes; it has not allowed for much character progression for the main cast yet it has enabled the show’s different writers and directors to take a more unique approach to crafting their episodes. Providence, however, is little more than a sequel to last week’s episode, and a set-up for future episodes. Bill Paxton’s Garret confronts the character of Raina and explains his past machinations and intentions, as well as what he intends to do now. An almost identical scene follows between Raina and Ward, in which Ward extensively elaborates on why and how he infiltrated and betrayed the S.H.I.E.L.D. team. These sequences cannot help but feel like a kind of “exposition housekeeping”; clearing up inconsistencies or unanswered questions from the last episode. Much later, Ward and Garrett raid a S.H.I.E.L.D. facility and steal a collection of alien weapons, no doubt setting up action sequences for upcoming episodes. The main narrative of the show barely moves forward at all because the focus is entirely on clearing up the past and setting up the future.
The episode also varies wildly in the quality of its few action sequences. There is a tense and well-shot helicopter attack (a gamble played by Ward to convince some S.H.I.E.L.D. security guards that he can be trusted) that appears to feature a real aircraft, starkly opposing the ludicrous computer-generated S.H.I.E.L.D. plane. A later scene in the episode features Coulson’s team traipsing across the Canadian wilderness; it is laughably unrealistic since the environment looks perfectly clement and the characters don’t even appear to be cold. During this scene, Coulson loses his composure. He begins to angrily assert that there must be a reason that they’ve been sent into this dangerous landscape. Were the sequence to take place in genuinely inhospitable-looking surroundings, it may have been extremely tense and effective. However, thanks in no small part to how pleasant the snow-covered hillside appears, and how healthy and warm the characters appear, Coulson’s rant seems bizarrely over the top and out of place. Basically, the production values do not match the dialogue or the performances in any way. Clark Gregg is a charismatic and skilled actor, but his performance in this scene seems hilariously overdramatic, because his reaction doesn’t fit the aesthetics of the surrounding environment.
The episode is not without its positives, comedian and long-time comicbook aficionado Patton Oswalt makes an amusing if pointless cameo as a S.H.I.E.L.D. Agent who’s been sequestered in a remote facility, and has become somewhat eccentric as a result. Adrian Pasdar, a veteran of the similarly-troubled superhero television show Heroes, appears in a brief but memorable cameo as Colonel Glenn Talbot (a Marvel Comics character created in the 1960s). Bill Paxton continues to be a delight to watch as the insufferable Garrett. Now that he has been revealed to be an antagonist, Garrett has started wearing a black turtle-neck as if to emphasise his role by dressing like a Bond villain. This is an amusing touch and very much in line with the character’s jokey personality. Very little can be critiqued or analysed in this episode because so little happens in it. It is an exposition receptacle and nothing more. With luck, it will allow future episodes to regain the frenetic pace of Turn, Turn, Turn and build into a strong finale.
Image from Marvel.com
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